{"id":17701,"date":"2023-03-24T10:00:00","date_gmt":"2023-03-24T09:00:00","guid":{"rendered":"https:\/\/ctzn.punkt.sk\/?p=17701"},"modified":"2026-05-21T17:21:09","modified_gmt":"2026-05-21T15:21:09","slug":"spolocnost-si-bude-velmi-tazko-zvykat-na-spomalovanie","status":"publish","type":"post","link":"https:\/\/ctzn.punkt.sk\/en\/spolocnost-si-bude-velmi-tazko-zvykat-na-spomalovanie\/","title":{"rendered":"Sv\u00e4topluk Mikyta: Spolo\u010dnos\u0165 si\u00a0bude \u0165a\u017eko zvyka\u0165 na\u00a0spoma\u013eovanie"},"content":{"rendered":"
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\"Mikyta_On-fragility\"
Sv\u00e4topluk Mikyta pri pr\u00e1ci na s\u00e9rii sklenen\u00fdch objektoch s n\u00e1zvom O krehkosti. Foto: Nico Krebs<\/figcaption><\/figure>\n<\/div>\n\n
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O tvorbe v\u00a0\u010dasoch klimatick\u00fdch zmien, o\u00a0\u00fanave publika z\u00a0ekol\u00f3gie aj o\u00a0vulgariz\u00e1cii Banskej \u0160tiavnice v\u00edkendovou turistikou sme sa rozpr\u00e1vali s\u00a0umelcom a\u00a0vysoko\u0161kolsk\u00fdm pedag\u00f3gom Sv\u00e4toplukom Mikytom.<\/p>\n <\/div>\n\n\n

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\"Denisa
<\/figcaption><\/figure>\n<\/div>\n\n\n
Denisa Volo\u0161\u010dukov\u00e1<\/a><\/strong><\/pre>\n\n\n\n
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\u2022 Sv\u00e4topluk Mikyta absolvoval Vysok\u00fa \u0161kolu v\u00fdtvarn\u00fdch umen\u00ed v Bratislave a na Staatliche Akademie der Bildenden K\u00fcnste v Stuttgarte, je dr\u017eite\u013eom DAAD \u0161tipendia na Universit\u00e4t der K\u00fcnste Berlin (2001 \u2013 2002). Ako dr\u017eite\u013e Ceny Osk\u00e1ra \u010cepana absolvoval reziden\u010dn\u00fd pobyt v ISCP v New Yorku a z\u00edskal aj stredoeur\u00f3psku cenu Strabag Art Award. Od roku 2011 vedie Ateli\u00e9r kresby a grafiky na Fakulte v\u00fdtvarn\u00fdch umen\u00ed VUT v Brne. \u017dije a tvor\u00ed na strednom Slovensku, v Banskej \u0160tiavnici spoluzalo\u017eil reziden\u010dn\u00fa platformu Bansk\u00e1 St a nica, kde p\u00f4sob\u00ed ako kur\u00e1tor a dramaturg.<\/pre>\n<\/div>\n\n\n\n
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Po\u010das \u0161t\u00fadia v Nemecku zbieral na uliciach star\u00e9 knihy a reprodukci\u00e1m v nich d\u00e1val nov\u00fa tv\u00e1r. Dnes vo svojich dielach recykluje star\u00e9 kovov\u00e9 predmety n\u00e1jden\u00e9 v lese za domom. Druh\u00fd \u017eivot d\u00e1va odpadu z umeleckej \u010dinnosti aj zvy\u0161n\u00fdm farb\u00e1m z grafickej tla\u010de.<\/p>\n\n\n\n
\u0160tvrt\u00e9 vydanie magaz\u00ednu CTZN, venovan\u00e9 klimatickej starostlivosti, ilustruje va\u0161e dielo O krehkosti<\/em>. Sklenen\u00e1 gu\u013ea pripom\u00edna zemegu\u013eu, ktor\u00e1 akoby sa vn\u00fatri trie\u0161tila na mal\u00e9 \u00falomky. O akej krehkosti hovor\u00ed t\u00e1to va\u0161a s\u00e9ria?<\/h4>\n\n\n\n
Desa\u0165 sklenen\u00fdch objektov vizu\u00e1lne odkazuje na modr\u00fa plan\u00e9tu. Moj\u00edm z\u00e1merom bolo iba nazna\u010di\u0165 a necha\u0165 interpreta\u010dne otvoren\u00e9, ako to dielo p\u00f4sob\u00ed. Samozrejme, \u017ee n\u00e1zov odkazuje na sklo ako materi\u00e1l, ale aj na krehkos\u0165 plan\u00e9ty, na klimatick\u00fa kr\u00edzu a veci, ktor\u00e9 s\u00favisia so zmenami, ktor\u00e9 \u013eudstvo svojou \u010dinnos\u0165ou sp\u00f4sobuje.<\/p>\n\n\n\n
Sklu ste sa po\u010das \u0161t\u00fadia ale nevenovali?<\/strong><\/h4>\n\n\n\n
V\u00f4bec nie. Boli to moje prv\u00e9 sk\u00fasenosti so sklom a hne\u010f ma to chytilo. Objekty vznikali v skl\u00e1rni v Karlove na Vyso\u010dine, kam som sa nakontaktoval cez Fakultu v\u00fdtvarn\u00fdch umen\u00ed v Brne, kde p\u00f4sob\u00edm. Chv\u00ed\u013eku to trvalo, k\u00fdm som sa do skl\u00e1rskeho remesla v\u017eil, na\u0161\u0165astie tamoj\u0161\u00ed skl\u00e1rski majstri s\u00fa ve\u013emi otvoren\u00ed sk\u00fa\u0161aniu r\u00f4znych autorsk\u00fdch z\u00e1merov, ktor\u00e9 \u010dasto id\u00fa technologicky a\u017e proti ich remeslu. Diela O krehkosti<\/em> maj\u00fa tvar gule, s ktor\u00fdm vedia ve\u013emi \u013eahko pracova\u0165, preto i\u0161lo sk\u00f4r o t\u00fa ideu a spr\u00e1vny mix sklenen\u00fdch fragmentov a pigmentov.<\/p>\n<\/div>\n<\/div>\n\n\n
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\"Mikyta_New
Sklenen\u00e9 gule v diele New Nature. Foto: Adam \u0160akov\u00fd<\/figcaption><\/figure>\n<\/div>\n\n
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\"Mikyta_After-fight-III_2022_glass-and-founded-metal-wire\"
Sv\u00e4topluk Mikyta, z cyklu After Fight. Objekt zo skla a n\u00e1jden\u00e9ho dr\u00f4tu. Foto: Arch\u00edv autora<\/figcaption><\/figure>\n<\/div>\n\n\n
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Rob\u00edte so sklom aj na\u010falej?<\/h4>\n\n\n\n
M\u00e1m rozpracovan\u00e9 \u010fal\u0161ie projekty so skl\u00e1r\u0148ami, len sme realiz\u00e1cie pozastavili v s\u00favislosti s cenami plynu, ktor\u00e9 celkovo zdvihli ceny a v skl\u00e1r\u0148ach bojuj\u00fa o pre\u017eitie. Neviem, \u010di budem m\u00f4c\u0165 pokra\u010dova\u0165. A sme op\u00e4\u0165 pri klimatickej kr\u00edze.<\/p>\n\n\n\n
\u010co vo v\u00e1s vyvol\u00e1va pojem klimatick\u00e1 kr\u00edza?<\/h4>\n\n\n\n
Nie je to strach. Vn\u00edmam, \u017ee je to t\u00e9ma, ktor\u00e1 vyvol\u00e1va strach u \u013eud\u00ed, ale tak\u00e9to pocity nem\u00e1m. Beriem to ako fakt doby, v ktorej \u017eijeme. Ekon\u00f3mia a psychol\u00f3gia rastu neust\u00e1le naberaj\u00fa na obr\u00e1tkach, vn\u00edmam to predov\u0161etk\u00fdm, ke\u010f som v meste. Predsa len, na vidieku na strednom Slovensku, kde \u017eijem, sa to a\u017e tak neprejavuje. Ke\u010f\u017ee vyu\u010dujem v Brne, cestujem ka\u017ed\u00fd t\u00fd\u017ede\u0148 cez Bratislavu a ten kontrast medzi dynamikou mesta a pomal\u0161ieho \u017eivota na vidieku je ve\u013ek\u00fd. Spolo\u010dnos\u0165 si bude ve\u013emi \u0165a\u017eko zvyka\u0165 na spoma\u013eovanie alebo na skuto\u010dn\u00e9 zmeny potrebn\u00e9 k zlep\u0161eniu situ\u00e1cie. Ako jednotlivci alebo mal\u00e9 komunity sa s\u00edce sna\u017e\u00edme nie\u010do robi\u0165, ale ke\u010f \u0161t\u00e1ty po samitoch nedodr\u017euj\u00fa normy, darmo budeme doma triedi\u0165 odpad.<\/p>\n\n\n\n
Ani toto vo v\u00e1s nevyvol\u00e1va nejak\u00e9 em\u00f3cie zbyto\u010dnosti, roz\u010darovania alebo zlosti?<\/h4>\n\n\n\n
Nie. Beriem to iba ako faktor, ved\u013ea ktor\u00e9ho treba vedie\u0165 \u017ei\u0165 \u2013 \u010do ale neznamen\u00e1 k tomu prispieva\u0165. V \u010cech\u00e1ch po\u010das osl\u00e1v 17. novembra prebiehal okupa\u010dn\u00fd \u0161trajk \u0161tudentstva univerzity za kl\u00edmu, k \u010domu sa pridala aj na\u0161a FAVU. Vn\u00edmam, ako silno v mladej gener\u00e1cii rezonuje t\u00e1to t\u00e9ma a mo\u017eno aj preto som tak\u00fd optimista. Ver\u00edm, \u017ee zmena sa o nieko\u013eko gener\u00e1ci\u00ed prejav\u00ed re\u00e1lne. V\u00e4\u010d\u0161ina mojich \u0161tudentov v ateli\u00e9ri s\u00fa u\u017e vegetari\u00e1ni.<\/p>\n\n\n\n
Vo va\u0161ej tvorbe komunikujete t\u00e9mu kl\u00edmy udr\u017eate\u013en\u00fdmi sp\u00f4sobmi, napr\u00edklad op\u00e4tovn\u00fdm pou\u017eit\u00edm vec\u00ed, recyklovan\u00edm alebo vyu\u017e\u00edvan\u00edm odpadov. Ak\u00fd je v tomto z\u00e1mer?<\/h4>\n\n\n\n
Opakovan\u00e9 vyu\u017e\u00edvanie vec\u00ed je v mojej tvorbe od za\u010diatku, hoci e\u0161te v dev\u00e4\u0165desiatych rokoch som nebol ekologicky uvedomel\u00fd. Za\u010dalo to po\u010das \u0161t\u00fadia na akad\u00e9mii v Stuttgarte. V Nemecku funguje \u201eSperrm\u00fcll\u201c, de\u0148, ke\u010f \u013eudia raz za pol roka vylo\u017eia nepotrebn\u00e9 veci z dom\u00e1cnosti na ulicu a tie \u010falej posl\u00fa\u017eia v\u0161etk\u00fdm z\u00e1ujemcom, vr\u00e1tane \u0161tudentov. So spolu\u017eiakmi z akad\u00e9mie sme si chodili vybera\u0165 platne, gramof\u00f3ny, kusy n\u00e1bytku a knihy. Takto som za\u010dal zbiera\u0165 knihy a pri ich listovan\u00ed sa vo mne prebudil z\u00e1ujem vyu\u017ei\u0165 potenci\u00e1l obr\u00e1zkov, ktor\u00e9 u\u017e stratili svoju platnos\u0165, ale st\u00e1le existuj\u00fa. Za\u010dal som pracova\u0165 s reprodukciami, n\u00e1jden\u00fdmi knihami a postupne aj s objektmi. Na za\u010diatku mojich diel a v\u00fdstav \u010dasto b\u00fdva pr\u00e1ve n\u00e1jden\u00e1 vec. Aj jedna moja s\u00e9ria sklenen\u00fdch objektov pracuje s n\u00e1jden\u00fdmi kovov\u00fdmi vecami, ktor\u00e9 som po\u010das lockdownu zbieral na prech\u00e1dzkach v lese. Star\u00fa sekeru, kromp\u00e1\u010d, s\u00fa\u010dasti vozov a traktorov som kombinoval so sklom. Bav\u00ed ma da\u0165 veciam nov\u00fd v\u00fdznam a znovu ich uvies\u0165 do \u017eivota.<\/p>\n<\/div>\n<\/div>\n\n\n
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\"Mikyta_After-fight-VII_2022_glass-and-founded-metal-and-plastic\"
Sv\u00e4topluk Mikyta, z cyklu After Fight, objekty zo skla a n\u00e1jden\u00fdch kovov\u00fdch predmetov. Foto: Arch\u00edv autora<\/figcaption><\/figure>\n<\/div>\n\n\n
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Nie\u010do, \u010do vzniklo ako vyu\u017e\u00edvanie vec\u00ed z ulice, sa u v\u00e1s \u010dasom pretavilo do princ\u00edpov udr\u017eate\u013enosti.<\/h4>\n\n\n\n
V Banskej \u0160tiavnici, kde m\u00e1me grafick\u00fa diel\u0148u, rob\u00edme reziden\u010dn\u00e9 pobyty pre umelcov. Pri pr\u00e1ci s materi\u00e1lom vznik\u00e1 odpad, ktor\u00fd upratujem. V ur\u010ditej chv\u00edli som si povedal, \u017ee ten \u201eumeleck\u00fd odpad\u201c by mohol dosta\u0165 e\u0161te druh\u00fa \u0161ancu a za\u010dal som ho odklada\u0165 a vyu\u017e\u00edva\u0165. Aj ke\u010f tla\u010d\u00edm pre umelcov grafiky a zv\u00fd\u0161i sa nejak\u00e1 farba, sna\u017e\u00edm sa ju pou\u017ei\u0165 na svoje pr\u00e1ce a takto recyklujem.<\/p>\n\n\n\n
Ako je odbornou umeleckou verejnos\u0165ou vn\u00edman\u00e9 umenie, ktor\u00e9 komunikuje t\u00e9my ekol\u00f3gie alebo klimatick\u00fdch zmien? S\u00fa be\u017enou s\u00fa\u010das\u0165ou umenia alebo ich kategorizuj\u00fa ako aktivizmus?<\/h4>\n\n\n\n
V\u00e4\u010d\u0161inovo s\u00fa vn\u00edman\u00e9 ako jedna z d\u00f4le\u017eit\u00fdch s\u00fa\u010dasn\u00fdch t\u00e9m vo vizu\u00e1lnej kult\u00fare popri in\u00fdch t\u00e9mach, ktor\u00e9 rie\u0161ime. Ale po\u010dul som u\u017e aj to, \u017ee \u201eu\u017e nie, zase ekol\u00f3gia!\u201c ako keby u\u017e toho bolo dos\u0165. Zaznamenal som negat\u00edvnu reakciu minul\u00fd rok v Nemecku, a s\u00edce, \u017ee publikum je u\u017e unaven\u00e9 z neust\u00e1lych v\u00fdkri\u010dn\u00edkov alebo ukazovania z\u00e1niku a t\u00fa\u017ei po pozit\u00edvnych t\u00e9mach a pozit\u00edvnom scen\u00e1ri. Ale to pre m\u0148a neznamen\u00e1, \u017ee sa prestanem o t\u00fato t\u00e9mu zauj\u00edma\u0165. Nebol by som ochotn\u00fd kv\u00f4li tomu zmeni\u0165 n\u00e1zov diela O krehkosti<\/em>, ktor\u00e9 je kritick\u00e9 a s krehkos\u0165ou nazna\u010duje mo\u017enos\u0165 pohybu, rozpadu kontinentov, zataven\u00fdch v skle.<\/p>\n<\/div>\n<\/div>\n\n\n\n
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\"Mikyta_After-fight-VIII_2022_glass-and-founded-metal-and-fabric\"
Sv\u00e4topluk Mikyta, z cyklu After Fight. Foto: Arch\u00edv autora<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Zmenilo sa va\u0161e umeleck\u00e9 vyjadrovanie a uva\u017eovanie po tom, \u010do ste sa pres\u0165ahovali na vidiek?<\/h4>\n\n\n\n
Zmenilo, ale nebol to pl\u00e1n, sk\u00f4r prirodzen\u00fd d\u00f4sledok zmeny prostredia a spomalenia. Vyrastal som na oravskej dedine, tak\u017ee to prostredie je mi zn\u00e1me a c\u00edtim sa dobre v bl\u00edzkom napojen\u00ed na krajinu a pr\u00edrodu. To, \u010do je teraz ve\u013ek\u00fd trend \u2013 pr\u00edroda v s\u00fa\u010dasnom umen\u00ed, je pre m\u0148a \u017eit\u00e1 realita. Zauj\u00edma ma pozorova\u0165 zmeny v \u010dase, ktor\u00fd meria pr\u00edroda vznikom a z\u00e1nikom. Na jar budem ma\u0165 svoju prv\u00fa v\u00fdstavu u n\u00e1s v lese. V\u0161ade na stromoch, na zemi, na kon\u00e1roch, vo vode, na l\u00edst\u00ed. Ve\u013ea vec\u00ed sa svoj\u00edm sp\u00f4sobom vr\u00e1ti na to miesto, odkia\u013e som ich zobral.<\/p>\n\n\n\n
Nebude to nosenie dreva do lesa?<\/h4>\n\n\n\n
D\u00fafam, \u017ee nie. Je to zlo\u017eit\u00e1 t\u00e9ma, ktor\u00fa som zastre\u0161il pojmom \u201eod dehumanizovan\u00e9ho ku kolonizovan\u00e9mu\u201c. \u010ci\u017ee n\u00e1jden\u00e9 objekty, ktor\u00e9 nevznikli \u013eudsk\u00fdm p\u00f4soben\u00edm \u2013 napr\u00edklad vt\u00e1\u010die hniezdo je objekt, s ktor\u00fdm \u010falej interpreta\u010dne pracujem. Koncep\u010dne sa prizn\u00e1vam, \u017ee z\u00e1merne doch\u00e1dza ku koloniz\u00e1cii, akon\u00e1hle si \u010dlovek privlast\u0148uje nie\u010do z pr\u00edrody a \u201evydob\u00fdja\u201c si z toho ten kapit\u00e1l\u201c, ale z\u00e1rove\u0148 je \u0165a\u017ek\u00e9 sa tomu vyhn\u00fa\u0165.<\/p>\n\n\n\n
U\u017e ste spom\u00ednali, \u017ee v s\u00fa\u010dasnom umen\u00ed je trendom tematizovanie pr\u00edrody. Pre\u010do?<\/h4>\n\n\n\n
M\u00e1m trochu obavu, \u017ee umeleck\u00e9 prostredie, s ktor\u00fdm som v intenz\u00edvnom kontakte, je len mal\u00e1 bublina, v ktorej s\u00fa ve\u013emi uvedomel\u00ed \u013eudia a vz\u0165ah \u010dloveka s pr\u00edrodou rie\u0161ia. A paralelne existuj\u00fa ve\u013ek\u00e9 bubliny, ktor\u00e9 sa t\u00fdm absol\u00fatne nezaoberaj\u00fa. My \u013eudia vn\u00edmame cel\u00fd svet cez n\u00e1s, ale v skuto\u010dnosti sme v dejin\u00e1ch plan\u00e9ty stra\u0161ne mali\u010dk\u00e1 \u010das\u0165 dej\u00edn. \u010co v\u0161ak neznamen\u00e1, \u017ee by sme mali by\u0165 \u013eahostajn\u00ed a tv\u00e1ri\u0165 sa, \u017ee sa ni\u010d nedeje. Naopak, na mladej gener\u00e1cii pozorujem, \u017ee citlivos\u0165 vo\u010di in\u00fdm entit\u00e1m \u017eiv\u00fdm tvorom narast\u00e1. Nikdy predt\u00fdm \u0161tudenti umenia nezachra\u0148ovali hmyz. Jednoducho si ho nev\u0161\u00edmali, alebo ho za\u0161liapli. Bol som na plen\u00e9ri so \u0161tudentmi v Jesen\u00edkoch a v kuchynke lietala otravn\u00e1 mucha. Tak som ju zabil. A to bol mal\u00e9r! U\u017e viem, \u017ee muchu nem\u00f4\u017eem zabi\u0165. M\u00f4\u017eeme ju chyti\u0165 a vynies\u0165 von.<\/p>\n<\/div>\n<\/div>\n\n\n\n
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\"Daniela
Daniela Ponomarevova: Info(VR)architekt\u00fara. \u010eal\u0161ia \u0161tudentka urobila cel\u00fa bakal\u00e1rku na t\u00e9mu rast\u00facej logistiky a transportu. V\u0161etky kresby a ma\u013eby s\u00fa na kart\u00f3noch z roztrhan\u00fdch a zni\u010den\u00fdch krab\u00edc, vyhoden\u00fdch na ulici pri kontajneri. Foto: Arch\u00edv autora<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Michaela
Sna\u017e\u00edm sa vn\u00edma\u0165, ak\u00e9 t\u00e9my \u0161tudentov zauj\u00edmaj\u00fa. Moja \u0161tudentka Michaela Kacht\u00edkov\u00e1 rob\u00ed monument\u00e1lne 2-3-metrov\u00e9 objekty, ktor\u00e9 vznikli po\u010das lockdownu. V\u00fdtvarn\u00e9 obchody boli zatvoren\u00e9, tak\u017ee nemala s \u010d\u00edm pracova\u0165, a\u017e si v\u0161imla, \u017ee v dome s\u00fa desiatky k\u00edl let\u00e1kov a reklamn\u00fdch nov\u00edn, ktor\u00e9 vie takto zrecyklova\u0165. Foto: Arch\u00edv autora<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Va\u0161a platforma Bansk\u00e1 St a Nica \u010doskoro chyst\u00e1 vydanie propaga\u010dno-informa\u010dn\u00e9ho form\u00e1tu Ter\u00e9n \u0160tiavnica o tamoj\u0161\u00edch \u013eu\u010foch, kult\u00fare a umen\u00ed. Komu je ur\u010den\u00fd?<\/h4>\n\n\n\n
M\u00e1me probl\u00e9m s t\u00fdm, \u017ee zo \u0160tiavnice sa rob\u00ed turistick\u00e9 mesto, trpiace v\u00edkendovou turistikou, ktor\u00e1 ide po atrakci\u00e1ch. Reakciou je trend podnikate\u013eov vytv\u00e1ra\u0165 nov\u00e9 atrakcie, ktor\u00fdmi obsadzuj\u00fa verejn\u00fd priestor \u00faplne bez citu pre vec. Tak sme si povedali, \u017ee sprav\u00edme nie\u010do pre turistov. Zo\u0161it, \u010dasopis, nie\u010do, \u010do by bolo v ka\u017edom hoteli a ubytovan\u00ed zadarmo a kde by sa n\u00e1v\u0161tevn\u00edci mohli dozvedie\u0165 o zauj\u00edmav\u00fdch \u013eu\u010foch, ktor\u00ed tu \u017eij\u00fa, o re\u00e1lnom \u017eivote v meste, o \u013eu\u010foch, ktor\u00ed sa rozhodli \u00eds\u0165 sem \u017ei\u0165 \u2013 jednoducho nie\u010do in\u00e9 ne\u017e Banka l\u00e1sky.<\/p>\n\n\n\n
Pritom dne\u0161n\u00fd cestovate\u013esk\u00fd trend je za\u017ei\u0165 autentick\u00e9 mesto.<\/h4>\n\n\n\n
S mojou partnerkou sme v Banskej \u0160tiavnici u\u017e od roku 2009 a zmeny za ten \u010das s\u00fa ve\u013emi v\u00fdrazn\u00e9. Doch\u00e1dza k vulgariz\u00e1cii mesta a dokonca u\u017e aj okolia. Banka l\u00e1sky napr\u00edklad rozmiestnila svoje nevkusn\u00e9 lavi\u010dky aj na Sitno a k tajchom, tie u\u017e na\u0161\u0165astie zmizli po ve\u013ekej vlne odporu miestnych. Nerob\u00edme si il\u00fazie, \u017ee to zastav\u00edme. Skuto\u010dne sa deje to, \u010do sa dialo v \u010ceskom Krumlove pred p\u00e4tn\u00e1stimi rokmi, aj s d\u017eentrifik\u00e1ciou a vypr\u00e1zd\u0148ovan\u00edm mesta. Dom\u00e1ci obyvatelia odi\u0161li zo studen\u00fdch kamenn\u00fdch domov do tepl\u00e9ho bytu a mesto sa st\u00e1va kulisou, ktor\u00e1 \u017eije iba na Silvestra. \u0160tudenti z Krakovskej akad\u00e9mie po\u010das pobytu na workshope mi hovorili, \u017ee mesto vyzer\u00e1 ako kulisa z filmu. C\u00edtime sa tu ako turisti vo vlastnom meste.<\/p>\n<\/div>\n<\/div>\n\n\n\n
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24. MAREC 2023<\/p>\n
Rozhovor pripravila: Denisa Volo\u0161\u010dukov\u00e1
\nFotografie: Nico Krebs, Adam \u0160akov\u00fd a Arch\u00edv autora<\/strong><\/p>\n<\/div><\/div>\n<\/div>\n\n\n
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Partneri<\/pre>\n<\/div>\n\n\n\n
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\u00a0\u00a0 \"\" \u00a0\u00a0\u00a0\u00a0 \"\" \u00a0 \u00a0 \u00a0\u00a0 \"\"<\/p>\n
\n<\/div>\n\n
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\n\"klimatapotrebuje-2\"\u00a0 \"\"\u00a0 \u00a0\u00a0 \"\" \u00a0\u00a0\u00a0\u00a0 \"mib<\/p>\n<\/div>\n\n\n
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Medi\u00e1lni partneri<\/pre>\n<\/div>\n\n\n\n
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\u00a0 \u00a0 \"ealogo\"<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"
O tvorbe v\u00a0\u010dasoch klimatick\u00fdch zmien, o\u00a0\u00fanave publika z\u00a0ekol\u00f3gie aj o\u00a0vulgariz\u00e1cii Banskej \u0160tiavnice v\u00edkendovou turistikou sme sa rozpr\u00e1vali s\u00a0umelcom a\u00a0vysoko\u0161kolsk\u00fdm pedag\u00f3gom Sv\u00e4toplukom Mikytom.<\/p>","protected":false},"author":3,"featured_media":17713,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":7,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","inline_featured_image":false,"footnotes":""},"categories":[1],"tags":[],"autor":[376],"vydanie":[343],"partner":[],"class_list":["post-17701","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nezaradene","autor-denisa-voloscukova","vydanie-ako-tu-mozeme-zit"],"acf":[],"yoast_head":"\nSv\u00e4topluk Mikyta: Spolo\u010dnos\u0165 si\u00a0bude \u0165a\u017eko zvyka\u0165 na\u00a0spoma\u013eovanie - CTZN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ctzn.punkt.sk\/en\/spolocnost-si-bude-velmi-tazko-zvykat-na-spomalovanie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sv\u00e4topluk Mikyta: Spolo\u010dnos\u0165 si\u00a0bude \u0165a\u017eko zvyka\u0165 na\u00a0spoma\u013eovanie - CTZN\" \/>\n<meta property=\"og:description\" content=\"O tvorbe v\u00a0\u010dasoch klimatick\u00fdch zmien, o\u00a0\u00fanave publika z\u00a0ekol\u00f3gie aj o\u00a0vulgariz\u00e1cii Banskej \u0160tiavnice v\u00edkendovou turistikou sme sa rozpr\u00e1vali s\u00a0umelcom a\u00a0vysoko\u0161kolsk\u00fdm pedag\u00f3gom Sv\u00e4toplukom Mikytom.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ctzn.punkt.sk\/en\/spolocnost-si-bude-velmi-tazko-zvykat-na-spomalovanie\/\" \/>\n<meta property=\"og:site_name\" content=\"CTZN\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ctzn.sk\" \/>\n<meta property=\"article:published_time\" content=\"2023-03-24T09:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-21T15:21:09+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/ctzn.punkt.sk\/wp-content\/uploads\/2023\/02\/Mikyta_On-fragility-proces-01-fotoNicoKrebs_web.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2016\" \/>\n\t<meta property=\"og:image:height\" content=\"1512\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Eva Benkov\u00e1\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Eva Benkov\u00e1\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/ctzn.punkt.sk\\\/spolocnost-si-bude-velmi-tazko-zvykat-na-spomalovanie\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/ctzn.punkt.sk\\\/spolocnost-si-bude-velmi-tazko-zvykat-na-spomalovanie\\\/\"},\"author\":{\"name\":\"Eva Benkov\u00e1\",\"@id\":\"https:\\\/\\\/ctzn.punkt.sk\\\/#\\\/schema\\\/person\\\/67c229e591d629a04f0f29fcded12de3\"},\"headline\":\"Sv\u00e4topluk Mikyta: Spolo\u010dnos\u0165 si\u00a0bude \u0165a\u017eko zvyka\u0165 na\u00a0spoma\u013eovanie\",\"datePublished\":\"2023-03-24T09:00:00+00:00\",\"dateModified\":\"2026-05-21T15:21:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/ctzn.punkt.sk\\\/spolocnost-si-bude-velmi-tazko-zvykat-na-spomalovanie\\\/\"},\"wordCount\":2166,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/ctzn.punkt.sk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/ctzn.punkt.sk\\\/spolocnost-si-bude-velmi-tazko-zvykat-na-spomalovanie\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/ctzn.punkt.sk\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Mikyta_On-fragility-proces-01-fotoNicoKrebs_web.jpg\",\"articleSection\":[\"Nezaraden\u00e9\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/ctzn.punkt.sk\\\/spolocnost-si-bude-velmi-tazko-zvykat-na-spomalovanie\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/ctzn.punkt.sk\\\/spolocnost-si-bude-velmi-tazko-zvykat-na-spomalovanie\\\/\",\"url\":\"https:\\\/\\\/ctzn.punkt.sk\\\/spolocnost-si-bude-velmi-tazko-zvykat-na-spomalovanie\\\/\",\"name\":\"Sv\u00e4topluk Mikyta: Spolo\u010dnos\u0165 si\u00a0bude \u0165a\u017eko zvyka\u0165 na\u00a0spoma\u013eovanie - 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