{"id":23116,"date":"2025-11-17T12:26:59","date_gmt":"2025-11-17T11:26:59","guid":{"rendered":"https:\/\/ctzn.punkt.sk\/?p=23116"},"modified":"2026-05-22T11:12:04","modified_gmt":"2026-05-22T09:12:04","slug":"co-znamena-citit-sa-niekde-doma-starostlivost-a-vlastenectvo-cez-pribeh-vily-k","status":"publish","type":"post","link":"https:\/\/ctzn.punkt.sk\/en\/co-znamena-citit-sa-niekde-doma-starostlivost-a-vlastenectvo-cez-pribeh-vily-k\/","title":{"rendered":"\u010co znamen\u00e1 c\u00edti\u0165 sa niekde doma: Starostlivos\u0165 a vlastenectvo cez pr\u00edbeh Vily K"},"content":{"rendered":"
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\u010clenky Punkt OZ na n\u00e1v\u0161teve vo Vile K v r. 2024, autorka \u010dl\u00e1nku na foto vpravo. Foto: Punkt
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Obnoven\u00e1 Vila K v Nitre o\u017eivila nielen kr\u00e1su funkcionalizmu, ale aj zabudnut\u00fd pr\u00edbeh svojho tvorcu \u2013 architekta Oskara Singera, ktor\u00fd musel z krajiny ujs\u0165 pred vojnou. V\u010faka jej z\u00e1chrane a p\u00e1traniu po tvorcovi sa nanovo odkryl kus na\u0161ej kult\u00farnej pam\u00e4ti, aj nepoznan\u00e1 kapitola vlastnej rodinnej hist\u00f3rie. <\/p>\n <\/div>\n\n\n\n

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  <\/strong> <\/figcaption><\/figure>\n<\/div>\n\n\n
Barbara Zavarsk\u00e1\n<\/a><\/strong><\/pre>\n<\/div>\n\n\n\n
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Jeden z mojich najsilnej\u0161\u00edch z\u00e1\u017eitkov minul\u00e9ho roka bola n\u00e1v\u0161teva Vily K v Nitre. Tento pr\u00edbeh, ktor\u00fd je s\u010dasti moj\u00edm osobn\u00fdm, no z\u00e1rove\u0148 aj pr\u00edbehom zrkadliacim na\u0161u spolo\u010dnos\u0165, <\/strong>som za\u010dala sledova\u0165 pred \u0161iestimi rokmi. Vtedy mi prist\u00e1l v schr\u00e1nke mail z Lond\u00fdna od dizajn\u00e9ra a v\u00fdskumn\u00edka Petra Pappa, \u017ee p\u00e1tra po pr\u00edbuzn\u00fdch a zmienkach o architektovi z Nitry, Oskarovi Singerovi, preto\u017ee pracuje na v\u00fdskume o jeho \u017eivote a kari\u00e9re po jeho \u00fateku do Ve\u013ekej Brit\u00e1nie. Ide o osobnos\u0165 medzin\u00e1rodn\u00e9ho form\u00e1tu, ktor\u00e1 v\u0161ak zast\u00e1va ve\u013emi mal\u00e9 miesto v na\u0161ej kult\u00farnej a spolo\u010denskej pam\u00e4ti. Za ostatn\u00e9 roky, ke\u010f sme svedkami polariz\u00e1cie spolo\u010dnosti v priamom prenose, ma hreje pri srdci, \u017ee s\u00fa medzi nami \u013eudia, ktor\u00ed dokumentuj\u00fa a pribli\u017euj\u00fa zanedban\u00e9 \u010dl\u00e1nky n\u00e1\u0161ho kult\u00farneho dedi\u010dstva a zasadzuj\u00fa ich do medzin\u00e1rodn\u00e9ho kontextu, ktor\u00fd kreoval aj na\u0161u kult\u00farnu identitu. Vn\u00edmam to ako extr\u00e9mne d\u00f4le\u017eit\u00e9 preto, aby sme sa mohli c\u00edti\u0165 v tejto krajine doma a boli na \u0148u hrd\u00ed.<\/p>\n<\/div>\n<\/div>\n\n\n
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Poh\u013ead z Kme\u0165kovej ulice. Vila K, ktor\u00e1 pre\u017eila ne\u013eahk\u00e9 \u010dasy, dnes pripom\u00edna, \u017ee starostlivos\u0165 o minulos\u0165 je formou l\u00e1sky k vlastnej krajine. Foto: Milo\u0161 \u0160tefanka
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Rodinn\u00e1 stopa a objav zabudnut\u00e9ho architekta<\/strong><\/h4>\n\n\n\n
O mojich predkoch zo \u017eidovskej vetvy, \u017eia\u013e, neviem ve\u013ea, nako\u013eko ich len zop\u00e1r pre\u017eilo holokaust. Z po\u010detnej omaminej a opapovej rodiny pre\u017eil tu brat, tam bratranec a o ostatn\u00fdch sa ml\u010dalo. Na podnet Petra Pappa som otvorila krabicu s p\u00edsomn\u00fdmi pozostalos\u0165ami mojej mamy a objavila tam rodokme\u0148 rodiny Singer. Oskar je tam zap\u00edsan\u00fd ako jeden zo \u0161trn\u00e1stich bratrancov a sestern\u00edc mojej omamy, Korn\u00e9lie Magdy, rodenej Singer. Pri niektor\u00fdch omamin\u00fdch rovesn\u00edkoch a ich de\u0165och s\u00fa pozn\u00e1mky ako napr. zahynul v koncentra\u010dnom t\u00e1bore, pri \u010fal\u0161\u00edch miesta ich nov\u00fdch \u017eivotov ako Kanada, Chicago \u010di Budape\u0161\u0165. Pri Oskarovi ni\u010d, len jeho brat Francis tam m\u00e1 zap\u00edsan\u00e9 dve deti s pozn\u00e1mkou Lond\u00fdn. Potom som otvorila hrub\u00fa knihu od Mat\u00fa\u0161a Dullu a Henriety Morav\u010d\u00edkovej Architekt\u00fara 20. storo\u010dia na Slovensku<\/em> a s \u00fadivom som listovala, \u010do v\u0161etko m\u00f4j prastr\u00fdko vlastne postavil. Hne\u010f ved\u013ea Friedricha Weinwurma a ostatn\u00fdch funkcionalistov, ktor\u00ed presadzovali modern\u00e9 postupy a budovali vyspel\u00e9 \u010ceskoslovensko. Nakoniec som sa trochu skepticky op\u00fdtala m\u00f4jho otca, ktor\u00fd bol zn\u00e1my t\u00fdm, \u017ee neudr\u017eiaval skoro \u017eiadne rodinn\u00e9 kontakty z vlastnej strany, nie to e\u0161te z maminej. Otec v\u0161ak mal v\u00fdnimo\u010dn\u00fa pam\u00e4\u0165, bol chodiacou encyklop\u00e9diou a na moje prekvapenie vytiahol spomienku spred polstoro\u010dia, ako stretol Oskara Singera na k\u00e1ve v bratislavskom Carltone, kde sa n\u00e1v\u0161tevn\u00edk chv\u00e1lil nejak\u00fdm patentom z Lond\u00fdna. Peter Papp sa nadchol \u2013 kone\u010dne \u010fal\u0161\u00ed \u010driepok v sklada\u010dke a potvrdenie domnienky, \u017ee Oskar sa predsa len po vojne e\u0161te raz na Slovensko vr\u00e1til!<\/p>\n\n\n\n
Pr\u00edbeh za\u010dal dost\u00e1va\u0165 re\u00e1lne kont\u00fary, ke\u010f som si v roku 2022 v SME pre\u010d\u00edtala report\u00e1\u017e o nitrianskej rodine Stodolovcov, ktor\u00e1 sa venuje rekon\u0161trukcii funkcionalistickej vily od Oskara Singera. Rodina k\u00fapila vilu na za\u010diatku mil\u00e9nia  a a\u017e ke\u010f sa ju chystali opravi\u0165, pamiatkov\u00fd \u00farad ju zaregistroval ako jednu z m\u00e1la n\u00e1rodn\u00fdch kult\u00farnych pamiatok 20. storo\u010dia. Ako uv\u00e1dza architektka a histori\u010dka architekt\u00fary Henrieta Morav\u010d\u00edkov\u00e1 v odbornom vyjadren\u00ed k vyhl\u00e1seniu stavby za n\u00e1rodn\u00fa kult\u00farnu pamiatku: \u201eBudova vily patr\u00ed medzi najv\u00fdznamnej\u0161ie architekt\u00fary medzivojnov\u00e9ho obdobia a z\u00e1rove\u0148 medzi najmodernej\u0161ie obytn\u00e9 budovy v meste aj v celom regi\u00f3ne<\/em>.\u201c (in: Vila K Hist\u00f3ria a s\u00fa\u010dasnos\u0165 domu Kollmannovcov v Nitre) Ve\u013ek\u00e1 pocta pre architekta a odkaz pre \u010fal\u0161ie gener\u00e1cie. \u017dia\u013e, tento \u0161tat\u00fat m\u00f4\u017ee by\u0165 patovou situ\u00e1ciou pre mnoh\u00fdch vlastn\u00edkov pamiatkovo chr\u00e1nen\u00fdch objektov, preto\u017ee \u0161t\u00e1tne dot\u00e1cie na obnovu pamiatok s\u00fa ve\u013emi oklie\u0161ten\u00e9 a \u0165a\u017eko dostupn\u00e9. Sme svedkami toho, ako mnoh\u00e9 pamiatkovo chr\u00e1nen\u00e9 objekty nemaj\u00fa \u0161\u0165astie na zanieten\u00fdch majite\u013eov a dlhodobo ch\u00e1traj\u00fa.<\/p>\n\n\n\n
Stodolovci si mohli vybra\u0165, \u010di vilu predaj\u00fa a u\u013eah\u010dia si \u017eivot, alebo sa pok\u00fasia z\u00edska\u0165 eur\u00f3pske dot\u00e1cie na obnovu a venuj\u00fa svoj \u010das a energiu z\u00e1chrane pamiatky. M\u00f4\u017eem sa len domnieva\u0165, \u017ee motiv\u00e1ciou pre ich rozhodnutie bolo nad\u0161enie pre architektonick\u00fa unik\u00e1tnos\u0165 alebo mo\u017eno aj pohnut\u00fd pr\u00edbeh p\u00f4vodn\u00fdch majite\u013eov vily Kollmannovcov, ako aj jej architekta, ktor\u00ed boli prenasledovan\u00ed fa\u0161istick\u00fdm re\u017eimom pre svoj p\u00f4vod. Napriek tomu, \u017ee sa profesijne nevenuj\u00fa umeniu a architekt\u00fare, nemusia ma\u0165 k vile \u017eiadny vz\u0165ah ani nemusia c\u00edti\u0165 pr\u00edslu\u0161nos\u0165 k \u017eiadnej men\u0161ine alebo naopak, dlh vo\u010di nej, vybrali si druh\u00fa, komplikovanej\u0161iu mo\u017enos\u0165. Identifikovali sa s pr\u00edbehom vily a transformovali ju na kult\u00farne centrum<\/a>, jedine\u010dn\u00e9 v r\u00e1mci projektov na Slovensku. Po vzore obnoven\u00fdch funkcionalistick\u00fdch v\u00edl, ktor\u00fdch je v susedn\u00fdch \u010cech\u00e1ch nieko\u013eko (napr. Vila Tugendhat od Ludwiga Miesa van der Rohe v Brne alebo Winternitzova a M\u00fcllerova vila od Adolfa Loosa v Prahe), starostlivo zrekon\u0161truovali vilu aj s replikami p\u00f4vodn\u00e9ho interi\u00e9ru do poslednej lampy \u010di k\u013eu\u010dky. Oskar Singer navrhol vilu zjavne aj s interi\u00e9rom na mieru, v\u0161etky interi\u00e9rov\u00e9 prvky s\u00fa prototypy prv\u00fdkr\u00e1t testovan\u00e9 pr\u00e1ve tu. Singer d\u00f4kladne interi\u00e9r zdokumentoval a fotografie zverejnil v medzin\u00e1rodnom \u010dasopise Forum (1938). V\u010faka tomu je Vila K od roku 2024 jedin\u00e1 verejne dostupn\u00e1 funkcionalistick\u00e1 vila na Slovensku aj s vernou replikou dobov\u00e9ho interi\u00e9ru.<\/p>\n<\/div>\n<\/div>\n\n\n
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Vila K, interi\u00e9r sal\u00f3nu na prvom poschod\u00ed. Foto: Juraj Nov\u00e1k, FB Nitrianske kult\u00farne dedi\u010dstvo
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Ob\u010dianske zdru\u017eenie Vila K vzniklo s cie\u013eom realizova\u0165 komplexn\u00fa obnovu a spr\u00edstupni\u0165 verejnosti vilu v\u00fdznamn\u00e9ho architekta Oskara Singera v Nitre. Zdru\u017eenie sa star\u00e1 o jej kult\u00farne, komunitn\u00e9 a eduka\u010dn\u00e9 vyu\u017eitie. Organizuje podujatia, v\u00fdstavy a programy, ktor\u00e9 prep\u00e1jaj\u00fa architekt\u00faru, hist\u00f3riu a s\u00fa\u010dasn\u00fa kult\u00faru. Vila K tak sl\u00fa\u017ei ako otvoren\u00fd priestor pre stretnutia, tvorbu a diskusiu o meste.

*SME<\/a>, Archinfo<\/a>, YIMBA<\/a>, Slovak Spectator<\/a>, pyomn<\/a><\/pre>\n<\/div>\n\n\n\n
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Napokon osobn\u00e9 stretnutie s Petrom Stodolom na jese\u0148 2024 o\u017eivilo pre m\u0148a aj pr\u00edbeh rodiny Kollmannovcov a Oskara Singera. Bolo to, ako by som sa vo vile stretla s nimi osobne. Kollmanna, Singera a Stodolu sp\u00e1ja nie\u010do noblesn\u00e9, o\u010darenie kr\u00e1sou tvarov a materi\u00e1lov modern\u00e9ho medzivojnov\u00e9ho \u010ceskoslovenska. Nov\u00ed majitelia, ob\u010dianske zdru\u017eenie Vila K, a v\u00fdskumn\u00edci sa venuj\u00fa starostlivej obnove fyzickej schr\u00e1nky vily, ako aj rekon\u0161trukcii \u017eivotn\u00fdch osudov rodiny investora a architekta. K\u00fdm architekt\u00fare vily sa u\u017e venovalo viacero aj medzin\u00e1rodn\u00fdch pr\u00edspevkov*, moju pozornos\u0165 pri\u0165ahuje spolo\u010densk\u00fd kontext jej vzniku. <\/p>\n\n\n\n
Z nitrianskeho ateli\u00e9ru do lond\u00fdnskeho exilu<\/strong><\/p>\n\n\n\n
Vila vznikla v medzivojnovom obdob\u00ed, ktor\u00e9 sa zvykne naz\u00fdva\u0165 zlat\u00fdm vekom slovenskej architekt\u00fary. Nov\u00fd, avantgardn\u00fd internacion\u00e1lny \u0161t\u00fdl, funkcionalizmus ovplyvnen\u00fd Le Corbusierom a \u0161kolou Bauhaus, na\u0161iel u n\u00e1s nasledovate\u013eov najm\u00e4 medzi \u017eidovsk\u00fdmi architektmi. Pokrokovos\u0165 uzn\u00e1vala aj \u017eidovsk\u00e1 stredn\u00e1 trieda, ktor\u00e1 si stavala nov\u00e9 modern\u00e9 b\u00fdvanie. Mest\u00e1 sa rozv\u00edjali a sna\u017eili napredova\u0165. Nitra nebola v\u00fdnimkou. V tom \u010dase bola tretina popul\u00e1cie mesta \u017eidovsk\u00e9ho p\u00f4vodu, \u010do Nitru rad\u00ed medzi mest\u00e1 z najv\u00e4\u010d\u0161ou \u017eidovskou komunitou vtedaj\u0161ieho \u010ceskoslovenska. Priestor na roz\u0161\u00edrenie z\u00e1stavby \u0161ir\u0161ieho centra sa naskytol po zregulovan\u00ed rieky Nitry, na \u010do zareagovalo viacero \u017eidovsk\u00fdch stavebn\u00edkov. Tak na Kme\u0165kovej ulici vyr\u00e1stli vily, z ktor\u00fdch mnoh\u00e9 patrili \u017didom.<\/p>\n\n\n\n
Friedrich Kollmann, zamestnanec nitrianskeho cukrovaru, za\u010dal so stavbou vily v roku 1934. Nevie sa presne, ako dlho si s man\u017eelkou a dc\u00e9rou nov\u00e9 b\u00fdvanie stihli u\u017ei\u0165. Pravdepodobne okolo roku 1938, aby sa vyhli proti\u017eidovsk\u00fdm repres\u00e1li\u00e1m, vilu opustili a odi\u0161li \u017ei\u0165 na \u00fazemie vtedaj\u0161ieho Ma\u010farska. Vilu boli n\u00faten\u00ed preda\u0165 a mohli by\u0165 radi, \u017ee im nebola skonfi\u0161kovan\u00e1. Av\u0161ak nezachr\u00e1nilo ich to pred deport\u00e1ciou, v roku 1944 boli odvle\u010den\u00ed do koncentra\u010dn\u00e9ho t\u00e1bora Auschwitz Birkenau. Pre\u017eila len dc\u00e9ra Margita.<\/p>\n<\/div>\n<\/div>\n\n\n
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Komentovan\u00e1 prehliadka \u201eOSKAR SINGER. Od Vily K po Robotn\u00edcky kult\u00farny dom\u201c. Foto: Milo\u0161 \u0160tefanka, FB Nitrianske kult\u00farne dedi\u010dstvo 2024 

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O Oskarovi Singerovi som sa dozvedela trochu viac. Jeho otec, omamin str\u00fdko Armin, bol majite\u013e ve\u013ekoobchodu s drevom a s rodinou sa pres\u0165ahoval do domu v susedstve vily Kollmannovcov. Oskar po \u0161t\u00fadiu v Budape\u0161ti, \u010falej na Vysokej \u0161kole technickej v Brne a po za\u010diatkoch v Pie\u0161\u0165anoch sa usadil v Nitre, kde si v rodi\u010dovskom dome otvoril architektonick\u00fa kancel\u00e1riu. Oskar nav\u0161tevoval Le Corbusiera, priatelil sa s Weinwurmom a presadzoval princ\u00edpy Bauhasu. Naprojektoval desiatky stavieb v Nitre a jej okol\u00ed. \u00daspe\u0161n\u00e1 bola napr\u00edklad stavba pavil\u00f3novej budovy \u0161koly v Nitre, na z\u00e1klade ktorej dostal \u010fal\u0161ie z\u00e1kazky. Nesk\u00f4r, ke\u010f sa schy\u013eovalo k vojne, utiekol do Lond\u00fdna, kde ho u\u017e zrejme \u010dakal jeho brat Francis. Nov\u00e9 za\u010diatky neboli \u013eahk\u00e9, ale postupne sa znova vypracoval. Zalo\u017eil si ateli\u00e9r, z\u00edskal \u010dlenstvo v Kr\u00e1\u013eovskom in\u0161tit\u00fate architektov (RIBA) a po vojne sa anga\u017eoval v sl\u00e1vnom hnut\u00ed Medzin\u00e1rodn\u00fd kongres modernej architekt\u00fary (CIAM), v r\u00e1mci ktor\u00e9ho sa z\u00fa\u010dastnil konferencie v Bridgwater, Somerset (1947). Peter Papp vyp\u00e1tral nov\u00e9 inform\u00e1cie o jeho tvorbe v Anglicku, v ktorej sa venoval prefabrik\u00e1cii v bytovej v\u00fdstavbe, ako aj v urbanistick\u00fdch celkoch nov\u00e9ho modern\u00e9ho sveta. To bola jeho misia ako hlavn\u00e9ho provinci\u00e1lneho architekta v pakistanskom P\u00e9\u0161\u00e1vare. Svoj prefabrikovan\u00fd stavebn\u00fd princ\u00edp si dokonca nechal patentova\u0165, vydal o tom publik\u00e1ciu a sna\u017eil sa ho presadi\u0165 na eur\u00f3pskom trhu. A vtedy, na sklonku \u017eivota, pri\u0161iel pozdravi\u0165 rodinu aj do Bratislavy, pri\u010dom nezabudol predstavi\u0165 svoj patent m\u00f4jmu otcovi. Peter Papp spolu s v\u00fdskumn\u00edkmi Jurajom Nov\u00e1kom a Richardom E. Pro\u010dkom objasnili e\u0161te mnoho \u010fal\u0161\u00edch detailov. Jemne ma zmrazilo, ke\u010f som po\u010dula, \u017ee Oskar nosil v prsteni kame\u0148 lapis lazuli. Ten obdivuje aj m\u00f4j syn, tie\u017e Oskar.<\/p>\n\n\n\n
Identita vyrastaj\u00faca zo starostlivosti<\/strong><\/h4>\n\n\n\n
Pre m\u0148a sa Stodolovci st\u00e1vaj\u00fa hrdinami tohto pr\u00edbehu. Prin\u00e1\u0161aj\u00fa pokra\u010dovanie pr\u00edbehu Vily K, jej zachovanie a umiestnenie na mape Slovenska, ukazuj\u00fa n\u00e1m pr\u00edklad ako m\u00f4\u017ee vyzera\u0165 starostlivos\u0165. Starostlivos\u0165 o lok\u00e1lnu identitu, o vz\u0165ah k n\u00e1\u0161mu hmotn\u00e9mu a nehmotn\u00e9mu dedi\u010dstvu. Dnes, ke\u010f po\u010d\u00favame, \u017ee kult\u00fara m\u00e1 by\u0165 slovensk\u00e1, a \u017eiadna in\u00e1, potrebujeme viac Stodolovcov. Ako povedal Timothy Garton Ash na Stredoeur\u00f3pskom f\u00f3re pri pr\u00edle\u017eitosti 35. v\u00fdro\u010dia Ne\u017enej revol\u00facie, nie nacionalizmus, ale zdrav\u00fd patriotizmus je to, \u010do n\u00e1s m\u00e1 sp\u00e1ja\u0165. \u010casto sa zam\u00fd\u0161\u013eam nad identitou tejto krajiny, nad mojou vlastnou identitou. S\u00fa \u00fazko prepojen\u00e9. Vila K je rovnako mojou identitou, ako aj identitou tejto krajiny, a jej pr\u00edbeh mi dod\u00e1va hrdos\u0165 a n\u00e1dej aj pre t\u00fato krajinu. Podobne ako pr\u00edbeh synag\u00f3gy v \u017diline, Trnave, Stupave \u010di v \u0160amor\u00edne, kde tieto starostlivo obnoven\u00e9 stavby stoja ako tich\u00ed svedkovia doby minulej. Epochy rozvoja, na ktorej vrchole dominovali nacionalistick\u00e9 hesl\u00e1 a \u0161\u00edrenie nen\u00e1visti vo\u010di men\u0161in\u00e1m. Nen\u00e1visti, ktorej d\u00f4sledky sme dodnes neboli schopn\u00ed ako n\u00e1rod alebo spolo\u010denstvo spracova\u0165 a zobra\u0165 si za ne pln\u00fa zodpovednos\u0165. <\/p>\n<\/div>\n<\/div>\n\n\n
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Foto: Juraj Nov\u00e1k, FB Nitrianske kult\u00farne dedi\u010dstvo, 2024
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Za obnovami tohto dedi\u010dstva stoja \u013eudia a ob\u010dianske iniciat\u00edvy, ktor\u00e9 dlhodobo scitlivuj\u00fa na\u0161u spolo\u010dnos\u0165, pri\u010dom aktu\u00e1lna politick\u00e1 garnit\u00fara sa sna\u017e\u00ed ich p\u00f4sobenie \u010do mo\u017eno najviac skomplikova\u0165. Tieto iniciat\u00edvy ukazuj\u00fa, \u017ee na\u0161a identita je tvoren\u00e1 r\u00f4znymi vplyvmi a kult\u00farami. Za obnovou Vily K je t\u00edm expertov, pamiatkarov a architektov. Ob\u010dianske zdru\u017eenie Nitrianske kult\u00farne dedi\u010dstvo prinieslo tie\u017e \u010das\u0165 v\u00fdskumu a sna\u017eia sa Vilu K a \u010fal\u0161ie stavby Oskara Singera popularizova\u0165. Te\u0161\u00ed ma, \u017ee napriek nie jednoduchej situ\u00e1cii vid\u00edm zrekon\u0161truovan\u00fa Nov\u00fa Synag\u00f3gu<\/a> v \u017diline a jej premenu na kult\u00farne centrum, \u010di pr\u00e1cu \u010ciernych dier pri populariz\u00e1ci\u00ed dedi\u010dstva na Gemeri a obnove Coburgovsk\u00e9ho ka\u0161tie\u013ea<\/a> v Jel\u0161ave na z\u00e1\u017eitkov\u00e9 ubytovanie. Fand\u00edm mal\u00fdm zdru\u017eeniam, ktor\u00e9 zakladaj\u00fa kult\u00farne centr\u00e1 v ba\u0165ovskej fabrike v Partiz\u00e1nskom<\/a> \u010di v starej \u0161kole v Kokave nad Rimavicou<\/a>. Hreje ma pri srdci, \u017ee niekde na za\u010diatku tejto vlny sme my v Punkt OZ realizovali inicia\u010dn\u00fd projekt Localicon<\/a> na podporu ochrany modernistick\u00e9ho stavebn\u00e9ho dedi\u010dstva (2008). Dnes u\u017e sa stala pamiatkou napr\u00edklad budova Slovensk\u00e9ho rozhlasu \u010di obchodn\u00e9ho domu Prior a hotela Kyjev v Bratislave, \u010do bolo svojho \u010dasu nepredstavite\u013en\u00e9. St\u00e1le e\u0161te m\u00e1me \u010do zachra\u0148ova\u0165.<\/p>\n<\/div>\n<\/div>\n\n\n\n
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Localicon<\/a><\/strong> vznikol v roku 2008 ako jeden z prv\u00fdch projektov Punktu na populariz\u00e1ciu modernistickej a industri\u00e1lnej architekt\u00fary. Predstavil ju verejnosti cez autorsk\u00e9 dizajny, objekty a kr\u00e1tke filmy, bol aj s\u00fa\u010das\u0165ou \u010deskoslovenskej expoz\u00edcie na Bien\u00e1le architekt\u00fary v Ben\u00e1tkach. Projekt sa stal fenom\u00e9nom a in\u0161piroval \u010fal\u0161ie iniciat\u00edvy v oblasti architektonick\u00e9ho dedi\u010dstva. Z\u00e1rove\u0148 upozornil, \u017ee modernistick\u00e9 stavby si zasl\u00fa\u017eia citliv\u00e9 zve\u013eadenie a systematick\u00fa ochranu.<\/pre>\n<\/div>\n\n\n\n
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Priala by som si, aby sme boli ako spolo\u010denstvo starostlivej\u0161\u00ed. Starostlivos\u0165ou ukazujeme, \u017ee n\u00e1m z\u00e1le\u017e\u00ed, pri\u010dom nezi\u0161tnos\u0165 je jeden z aspektov starostlivosti. \u010clovek to rob\u00ed, lebo to pova\u017euje za d\u00f4le\u017eit\u00e9, za podstatu, princ\u00edp bytia. Ke\u010f nie\u010do d\u00e1m, inde sa mi to mo\u017eno vr\u00e1ti sp\u00e4\u0165. Starostlivos\u0165 o na\u0161e kult\u00farne dedi\u010dstvo je starostlivos\u0165 o identitu krajiny. Starostlivos\u0165 o sebavedomie na\u0161ej krajiny. Priala by som si, aby sme si boli viac vedom\u00ed bohatstva, ktor\u00e9 tu na\u0161i predkovia vytvorili. A m\u00f4\u017ee to by\u0165 ve\u013emi hmotn\u00e9, fyzick\u00e9 ako stavba, ale aj nehmotn\u00e9 bohatstvo ako poznanie.<\/p>\n\n\n\n
Te\u0161\u00edm sa, \u017ee Henrieta Morav\u010d\u00edkov\u00e1 spolu s Petrom Pappom odha\u013euj\u00fa okrem Singera aj osudy nieko\u013ek\u00fdch \u010fal\u0161\u00edch skvel\u00fdch slovensk\u00fdch architektov v emigr\u00e1cii vo Ve\u013ekej Brit\u00e1nii po roku 1938 (pozri Historick\u00fd \u010dasopis<\/a>). Je a\u017e doj\u00edmav\u00e9 \u010d\u00edta\u0165, ako v\u010faka solid\u00e1rnosti a ak\u010dn\u00e9mu nasadeniu britskej architektonickej Refugee Committee boli po\u010das druhej svetovej vojny prijat\u00ed na ostrovoch a mohli \u010falej vykon\u00e1va\u0165 svoje povolanie. D\u00fafam, \u017ee v tomto v\u00fdskume bud\u00fa pokra\u010dova\u0165 a \u017ee n\u00e1m sprostredkuj\u00fa m\u00e1lo zn\u00e1me, av\u0161ak hodnotn\u00e9 architektonick\u00e9 diela, na ktor\u00e9 m\u00f4\u017eeme by\u0165 pr\u00e1vom hrd\u00ed.<\/p>\n\n\n\n
Na z\u00e1ver odpor\u00fa\u010danie: nav\u0161t\u00edvte Vilu K<\/a>. Rezervujte si komentovan\u00fa prehliadku \u010di z\u00e1\u017eitkov\u00e9 ubytovanie, pr\u00edpadne pr\u00ed\u010fte na koncert alebo predn\u00e1\u0161ku. Dajte si v\u00fdberov\u00fa k\u00e1vu v kaviarni Rosetta<\/a>, ktor\u00fa nosia z pra\u017eiarne v \u010cech\u00e1ch, zalo\u017een\u00fa pr\u00edbuzn\u00fdmi rodiny Kollmannovcov. Okrem jedine\u010dn\u00e9ho z\u00e1\u017eitku podpor\u00edte aj poz\u00edciu tohto nov\u00e9ho miesta na mape kult\u00farneho a komunitn\u00e9ho \u017eivota v regi\u00f3ne.<\/p>\n\n\n\n
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17. NOVEMBER 2025<\/p>\n
Text: Barbara Zavarsk\u00e1<\/strong><\/p>\n
Fotografie: Punkt, Milo\u0161 \u0160tefanka, Juraj Nov\u00e1k<\/strong><\/p>\n<\/div><\/div>\n<\/div>\n\n\n
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Partneri<\/p>\n<\/div>\n\n\n\n
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\"\"<\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"
Obnoven\u00e1 Vila K v Nitre o\u017eivila nielen kr\u00e1su funkcionalizmu, ale aj zabudnut\u00fd pr\u00edbeh svojho tvorcu \u2013 architekta Oskara Singera, ktor\u00fd musel z krajiny ujs\u0165 pred vojnou. V\u010faka jej z\u00e1chrane a p\u00e1traniu po tvorcovi sa nanovo odkryl kus na\u0161ej kult\u00farnej pam\u00e4ti, aj nepoznan\u00e1 kapitola vlastnej rodinnej hist\u00f3rie. <\/p>","protected":false},"author":2,"featured_media":23117,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","inline_featured_image":false,"footnotes":""},"categories":[24],"tags":[],"autor":[395],"vydanie":[],"partner":[],"class_list":["post-23116","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-punkt","autor-barbara-zavarska"],"acf":[],"yoast_head":"\n\u010co znamen\u00e1 c\u00edti\u0165 sa niekde doma: Starostlivos\u0165 a vlastenectvo cez pr\u00edbeh Vily K - CTZN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ctzn.punkt.sk\/en\/co-znamena-citit-sa-niekde-doma-starostlivost-a-vlastenectvo-cez-pribeh-vily-k\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u010co znamen\u00e1 c\u00edti\u0165 sa niekde doma: Starostlivos\u0165 a vlastenectvo cez pr\u00edbeh Vily K - CTZN\" \/>\n<meta property=\"og:description\" content=\"Obnoven\u00e1 Vila K v Nitre o\u017eivila nielen kr\u00e1su funkcionalizmu, ale aj zabudnut\u00fd pr\u00edbeh svojho tvorcu \u2013 architekta Oskara Singera, ktor\u00fd musel z krajiny ujs\u0165 pred vojnou. 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